Nadia Reichenov (
coldheritage) wrote in
knightsoflegend2015-04-05 02:10 pm
Entry tags:
CHAPTER FOUR ♔ does it run in your blood to betray the ones you love
WHO || Failboat, Rafael, Isabella, Nadia [Closed]
WHAT || After an exciting Grammy night, the Knights meet up with Nadia to hear what she has to say
WHERE || Staples Center, LA --> Warehouse
WHEN || Feb 8th, 2015 [back dated]
HOW || Actionspam
[ The Knights' mission to stop the signal and prevent Draken's cult from spreading whatever subliminal message was lurking beneath Keijen Blade's performance was a success. It didn't come without its bumps in the road, however: Alexander Anderson showed up, and the Knights ran afoul of the Mind Master. Buffy nearly died fighting Anderson, but in the end, he was defeated, beheaded, and hopefully put to death forever. Finnick, though, found himself thrust into a mental illusion that convinced him he might still be in the Hunger Games, and left him uncertain about whether any of his life here was real.
Another surprise came in the form of an announcement by Nadia Reichenov, an artist working with Crombe and company, that she was changing her band name and taking things in a 'new direction'. This direction was perhaps revealed when after her performance, she approached the Knights in Rafael's dressing room - and handed them the necklace that connects her to the Nightmare God Malaak'a, saying she was willing to tell them everything. ]


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the helicopter hovers right over the roof, while the rocket launcher guy leans back inside, presumably to reload.
those in the cars fire out at buffy with sniper rifles (atk 32 & 17, 13 dmg | atk 28 & 24, 10 dmg) and fred (atk 17 & 18). the guy that buffy has in her grip tries to punch her in the face but fails (atk 17) ]
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She doesn't move from where she's fallen, her body twisted at an uncomfortable angle, and if you look close enough you'd be able to see that she is bleeding pretty heavily from several places.
Yay for being a Smart Hero...]
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And then she hauls the guy she's got a hold on out of the car and slams his head against the side of it (attack 34, dmg 18 — attack 28, dmg 17 — attack nat 20, penetration damage 54). WELL, THAT'S PROBABLY OVERKILL. AND TERRIFYING. She probably just cracked his head open and spilled brains on the side of their car, honestly.
It's because she has no way of knowing who is okay up there fireballin' and who isn't and what shape either of them are in. It's been a day. ]
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C'mon out, you fuckin' cowards.
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fred goes at the third car, sword raised in both hands, and charges the occupant with a nat 20 power attack. which is... 62 dmg.
he pretty much... ran his sword straight through that guy's head. THEY MIGHT HAVE JUST EXPLODED HIS GIRLFRIEND OK he totally failed his spot check to notice her fire spell ]
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the fourth sniper shoots out at fred since he's closest annnd hits for 6 dmg
jack, in the meantime, starts running for the cars as well, drawing his own sword, and using heroic surge to charge the fourth car (atk 34; dmg 19). ]
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Using Eagle Eye Shot, Des stands with his gun raised, lining up his shot at the driver with a
19... nat 20 atk. Which is literally the most pointless use of an Eagle Eye Shot ever, BUT FUCK MAN. WE'RE TAKING IT. dmg 36)He is gonna use another heroic surge to reflex save BECAUSE YOU CAN'T SHOOT A CAR AND THEN STAND THERE. HE IS NOT BRUCE WILLIS. (RS 24)]
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the first car drives off into the distance, while the guy now standing over fred five foot steps back and points his gun down at him (atk 22), only just hitting him as fred tries to roll out of the way of the shot, which does 20 dmg as it strikes him in the side. a second shot hits him as well (22; 8 dmg) and he groans in pain. the fourth car guns it to get away from jack, and the sniper shoots at him again, hitting him once. (atk 31/17; 7 dmg) ]
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[ Buffy's not in the business of shooting someone who's running away, so the two drivers who are leaving definitely avoid her ire. The other two drivers may not be so lucky if they don't rethink their choices. ]
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You okay? [ Hold pls for Alainn concern. ]
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Where's Alainn? [He's got the Alainn concern.]
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