Christos La Krail (
everyredcent) wrote in
knightsoflegend2012-04-09 06:02 pm
Entry tags:
TRAVEL ♔ you can forget there's a world outside yourself
WHO || Thomas, Christos, Luthir, Arthur, Merlin, Katniss, Ethan [Closed]
WHAT || The Flight back to Knights' headquarters
WHERE || On the jet
WHEN || Saturday night into Sunday morning, March 7-8 Backdated
HOW || Actionspam
[This log is for any in-flight interactions on the Knight's jet plane ride back from the mission site. Feel free to make your own threads/threadjack, etc. The flight time is approx nine and a half hours.
The mood of the flight is obviously a whole lot more somber than the flight out, given that Francesca's body is being transported in a body bag for potential resurrection.
The good news, however, is the effect Francesca's death had on the mission. Between Christos, Katniss, and Thomas, the Municipal building was spared a few lives, and the man who Francesca had attempted to save in the last few moments of her life had lived. His name was Pyotr Yakovlev and he turned out to have a substantial amount of pull with the military. After seeing what they were up againt, considering so many powerful personnel had been easily executed by invisible drow assassins, he agreed that the Mayor had been right: they were up against something they could never fight on their own, and their only chance for survival might be outreaching for peace with the sun elves after all. The destruction of the tunnels seemed to have deterred drow attacks on the sun elf city, which seems to have bought some time for a real coalition to formulate.
Of course, all of that is only a small comfort, when someone had to die to attain it - even if they'd managed to complete an impossible seeming mission. ]


ota ... atyourownrisk
in his whole life, Christos lets someone else fly the jet, and sits in the back of the plane, closest to where the body bag is. He barely moves, his face cast in hard granite as he stares at nothing two inches in front of himself. His shoulders are hunched, and he radiates an aura of 'stay the fuck away'.]open to overhear / interrupt if you beat me to the end of it...
May I? [ He doesn't wait for a response, and slips into the seat next to him, placing his hand on the drink table between them, and drumming his fingers once there. Christos' eyes narrow at the sound, but he doesn't look over. ] You don't have to say anything, don't worry. I didn't come back here for the scintillating conversation.
I just don't want you walking away from this blaming yourself for what happened to her. If anyone's to blame, it's me, but we both know that the only ones who really need to carry the burden of blame are the ones who are all quite dead now. [Christos' expression only seems to harden a bit, and Thomas continues on:]
And I wanted to assure you that... that you certainly aren't the only one hurting, I know how you feel, believe me--
* Overheard with a 14 listen or above
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Thomas lets out a loud hiss of air, and then Christos twists the blade, hard to the left, and hard to the right, grinding it against the bones, and the Dragon's Claw curses.
Just as swiftly, Christos yanks the blade out again, and then says, in a voice as sharp as the dagger:]
No. But now you have some idea.
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Right. Deserved that.
[ Christos says nothing more, as he steps past him and moves back towards his seat. ]
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She doesn't say anything to him, and decides to wait for him to speak first. If he chooses not to, that's fine with her, but she feels the need to just be near him, as if his presence will somehow help ease her sadness that she's currently feeling and has no idea how to properly express.]
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Which she doesn't.
So she remains silent and just looks up at him with empty eyes, wishing so desperately that she was someone who could bring herself to cling to a person and cry out her fears, and that he was someone who would be receptive to it if she was.
After a moment of staring, her hand goes up to touch at his knee. A small gesture, and meaningless, given everything that had just happened. But she hopes that it's enough.]
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But then the hardness returns, leaking back into his expression, even if that note of pain lingers in his eyes. He tightens his jaw, and tears his gaze away from her again, fixating on a point on the seat in front of him as if he means to bore a hole in it with his laser vision. ]
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I trusted her.
[To Katniss, being able to trust someone is a great deal more than holding an affection for them.]
Almost as much as I trust you.
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But then a large frown cuts its way across his face, even deeper than the one that was already perma-etched there, and he says rather harshly: ]
You shouldn't.
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[She's blunt and honest. She doesn't see a reason not to be.]
But I still do, and that means something to me.
[This is said firmly, as if he doesn't really have a choice in the matter. She cranes her head so she can stare up at him, hoping to make him uncomfortable enough to speak, even if it's to yell at her or tell her to go away.]
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When she doesn't, his own discomfort wins out. ]
It must be wonderful to have such grounds of faith to cling to. [ His words sound s-so ridiculously bitter and sarcastic, and he swings his gaze away again, though this time his eyes seek out the others on the plane, and narrow, as unknown vitriolic thoughts pass visibly through his mind. ]
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You're the one that found me and brought me into this. If you don't want me becoming attached or having faith in you, then you should have me assigned to work with someone else.
[She feels her temper rising, and she's just so emotionally drained by this point that she doesn't have it in her. So she pulls her knees in close to her chest and flops her forehead down up against them, cocooning herself in her own negative thoughts.]
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or listening to one, at least.
he doesn't respond right away though, just continuing to stare as she burrows into herself, and his eyes stray back in the direction where the body bag is, and then find his window for a short time.
after a long, loaded pause, he says rather quietly, not looking in her direction: ]
I didn't say that.
I said you shouldn't.
[ a beat. ]
You could wind up the same way.
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I understand the risk of being here. Don't think I'm a child that isn't fully aware of it.
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That wasn't my implication.
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If what she said previously surprised him, this one completely comes at him out of left field, and he stares at her with something akin to open disbelief, looking noticeably stricken now.
Finally, he says with half-hearted contempt:]
There's nothing honorable in death. It's simply what it is. Death.
Dressing it up as anything more is foolishness of the most extreme sort. [ He looks down as he rummages in his cloak as if to check on one of his numerous hidden weapons there and readjust it ]
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Maybe at some point it stops becoming foolish, and it's just an everyday part of life. It is what it is, and it's foolish to try and stop it. [At that moment, she sees a flash of a boy impaled in the throat with an arrow, and she gulps as her eyes slide closed and she tries to shove it away.]
All we can do is make sure we shoot first, so maybe we can die later.
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But then all ironic humor seems to flee his face again, as he looks struck by a thought and a fresh burst of anger or sadness or something. ]
But that doesn't mean I have to see any honor in what happened today. Any purpose.
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[Her voice is so small when she insists upon this, and she tries to inwardly search for some further meaning to death other than "it happens to everyone sometime".
So instead of trying to find a deeper meaning, she observes him, and takes a moment to decide if she's bold enough to state what she really wants to.]
You cared for her more than you want anyone to know. We have that in common.
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This time he doesn't respond. Not a single word. No denial, no confirmation, no attempt to reroute the conversation, no immediately shutting it down with a cutting remark.
He just stares at her, a few muscles in his cheek twitching from the way he has his jaw locked so tightly.
And still he says nothing. ]
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She blinks up at him, and finds that she isn't sure what's left to be said. She wants to honor Francesca somehow, to make her sacrifice mean something more than just a lump of a body in a bag. There's a strong desire to make a stand against the fact that someone decent and good had died while she's still left standing, but it seems useless when there are people right here with her that are more distraught than she could ever be.
So she remains still and silent, and sitting at his feet. on a normal day, it would make her feel like a dog, or his little pet. But currently, it was as close to a hug as she would allow herself to give him and he would allow himself to receive.
In a gesture that she isn't even fully aware she's making, she brings three fingers together and presses them against her lips, holding them there briefly before raising the hand into the air. it's meaningless to her, nonsensical almost, but it's what her body is telling her to do. So she allows the gesture to pass before dropping her hand to the ground. Instead of looking up at Christos, she just stares helplessly at her hand.]
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ota;
ota;