Rafael Giovanni (
romanticidal) wrote in
knightsoflegend2013-02-03 05:26 pm
new orleans ♔ some people they call me monster | some people they call me saint

♬ Opera Singer - Cake
WHO || Rafael, Buffy, Spike, Des, Jack, Thomas, Myri, Finnick, Elena, Gar, Kat, Burt [closed]
WHAT || The Knights infiltrate NOVA to try to locate the experiments and relics mentioned by Chad & company. Shenanigans ensue.
WHERE || NOVA HQ, New Orleans
WHEN || Sunday, Nov 18th, 2012
HOW || Actionspam, don't sweat tag order! Keep it a rollin'.
Months ago, Finnick learned from Burt Becksworth about a number of construction projects Chad had contracted on the building. At the time of discovering the occult room, it was assumed the construction was to create the secret areas behind the auditorium, however, Kat's finally managed to hack into NOVA financial records and trace the contracts down.
It seems there was another, much more expensive, project, adding restructuring to the locked off basement level, to which there is no access through the public elevators. Schematics show that there is one accessible elevator shaft that goes to the lobby, which requires a key to activate the lower floor. Thomas considers it a better bet, however, to use the nearby quarry underground entrance through which construction trucks used to reach the site. Thomas will be leading a team through the underground tunnel in hopes of finding a space large enough to host the 'experiments' that Chad and company were afraid of the Knights discovering while nosing around the building.
Meanwhile, Jack wishes to discover if there are any remaining 'relics' in the building, and if so, to confiscate or document them. The heightened security within the building has made access much more problematic, and its taken awhile for him to acquire the security protocols necessary to be able to create a looped camera feed. Now that's everything's in place, he'll be infiltrating the building to override the cams, allowing Buffy, Elena, and Rafael to join him on the fourteenth floor for one last sweep of the occult room.
The situation has also grown more complicated in other ways since eavesdropping on Chad's cabal. In a gutsy move, Burt Becksworth has created an inescapable situation for Rafael and Finnick, forcing them to comply in preparing for an album and tour, lest they destroy their own reputations and become infamous in the business for backing out of their 'contracts' and letting down legion of NOVA fans. Finnick is an ideal situation to try and discover more about Burt's plans, however, and perhaps to find out incidental information concerning Chad's "Back the Fans" tour.

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Thank me when we make it out of this alive.
[ they converge with elena as they head for the door, and buffy's doing her best to run at full speed despite her injuries, keeping one arm at rafael's back to make sure he doesn't get left behind. she has to have faith in jack. he's a dragon's claw for a reason. he can get out of this.
but she casts a scared look over her shoulder towards him, lips pursed. she can hardly see him through the stage lights. she continues on out the door. ]
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An' I can tell you're hiding something. I intend t'find out exactly what that is. [ rather than attack, he just starts taking menacing steps closer to the stage -- and jack -- who stands stalwartly awaiting him ]
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Still, she can't help but spare a glance backward toward Jack. She's terrified for him, but still doing what she's told. Buffy and Rafael might not be able to survive a second hit, she doesn't know. And she's pretty sure she can't take even one, and then she won't be able to help anyone.]
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I'll be right back.
[And then she books it for the elevator and hits the down button a couple more times than is necessary. The sooner it gets there the better.
Then she moves to help hold them up again while they wait, her heart pounding in her chest.]
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[She looks a little grim, and definitely worried.]
That's it.
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nobody has beaten her that quickly that badly. nobody. and if she's being honest with herself, she's ... well, terrified, though she doesn't show it.
but she can't leave him. ]
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Because otherwise, if the worst does happen? It'll be for nothing.
Elena sees Buffy stall at the entrance to the elevator and look back. And Elena does the only thing she can.
She reaches out, grabs her wrist, and tries to tug her into the elevator before it closes, the adrenaline pumping through her veins fueling her. (Str 17)]
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We must respect the choice he has made, in any case.
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That choice could kill him. You saw what that guy's capable of.
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[Buffy and Raf were already very injured. She wished she had Myri's ability to heal at this moment. Then she could at least be useful.]
I don't want to leave either, Buffy.
[But her tone indicates that they have to. Going back now would only be suicide.]
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None of us do. If anyone should have stayed... [ IT SHOULD HAVE BEEN MEEEEEE ]
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Why did you do that?
[It better be a good reason.]
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Buffy knows this, and some of the Knights. In Italia, I work with a Resistance Movement, that protects Shadowkind from the oppression they face there. We arm and fight to defend those who cannot defend themselves.
That is how the priest died, but that is not how the Church sees it, I would hazard to guess.
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Wouldn't be the first time organized religion got their minority oppression on.
[ her ability to rationalize the conflict speaks to the truth of rafael's statement - yes, she knows, yes, he's a resistance fighter helping shadowkind. he wouldn't just murder a priest.
she thinks. ]
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