Rafael Giovanni (
romanticidal) wrote in
knightsoflegend2012-07-23 07:46 am
venice ♔ to remove the stain of my love

♬ My Confession - Josh Groban
WHO || Rafael Giovanni, Kat, Gar, Buffy, Myri [closed]
WHAT || Invited to the home of the talented singer, the Knights attempt to learn more about his connection to NOVA Records.
WHERE || Rafael's villa, an hour outside Venice, Italy
WHEN || July 6, evening.
HOW || Actionspam, NO TAG ORDER
With Dumage MIA and not responding to her phone, the girls quickly got ready for an evening at the home of the exceptionally talented singer who had dragged them in front of the audience at Notturno. Gar looks nice, if subtly so, in a mid-length red dress and simple make-up (11 Disguise checkwhich is what I use for people prettyifying up). Kat's own attempts to do her make-up when left unaided in the bathroom left her coming out looking like Rocky Raccoon, unhappily smeared in blush and metallic eyeshadows (crit fail :( ), but after the other girls helped salvage her (15), she looks really pretty, though still not wearing anything remotely close to a dress. Ever.
The girls take a ride outside of town, driving through Veneto at breakneck speeds, because someone let Kat drive (check 17). What should be an hour's journey takes them half that time, and they pull up to the impressive sight of a dual story white and red villa that all but screams luxury.

no subject
Remind me to look into learning a foreign language if we ever get back to -- [ the castle. oops. she fixes herself. ] Uh, home.
1/-
2/-
3/-
4/4
there are several vehicles here, but one that draws the eye... and one he makes a beeline for. ]
My pride and joy, eh? What do you think? [ And for the 2nd time in a few months, they get to see a classic Corvette in all its glory - this one an orange 1969 model. ]
no subject
I think I prefer the horses. [She says quietly, swallowing thickly.]
no subject
Shiny. I'm sure it makes a great deal in the way of manly revving noises.
1/-
2/-
It's very impressive, indeed. [ but she's on team horses over horsepower too, so she'll just glance back out the door the way the barn was. horsies :( ]
3/3
I can show you?
no subject
she drums up a gradual, wide smile and fixes it on rafael. ] I ... Sure, why not. [ she shifts a quick look around at the other girls and then steps forward to pull on the passenger door handle
as delicately as possible because it's so shiny and super strength.and let the record show her willingness to go along with the excellent plan of car ride alone with the strange foreign man in a strange foreign place at night has nothing to do with the fact that he's famous and also has a nice smile. nope. ]
no subject
[ He swings around to the driver's side as he says so, tossing them a wave as he climbs in. ]
We will try not to be too long.
no subject
Yeah, Myri can be underhanded. It comes from running for most of your life.]
Be careful. [She says with all sincerity. The last thing she wants is Buffy hurt somewhere and not to be able to find her.]
1/3
Where did Rafael go?
2/3
no subject
no subject
no subject
He did, did he? [ She raises a hand to her temple in a gesture of exasperation, waving a hand dismissively in the direction of the house. ] Go bother Hiro, then. I am not his babysitter.
[ She turns around to watch the car pull around the house entirely, narrowing her eyes and muttering something else in Italian. ]
no subject
She waits until she's out of the garage and stable area completely before speaking, and even then, she keeps her voice low.]
Perhaps we leave Hiro to his other duties? [OBVIOUSLY, but she doesn't want to say anything too incriminating. She's paranoid, okay.]
1/2
no subject
no subject
I was thinking that perhaps he has a... library or office? A computer? [She looks at Kat. She's watched her Knight research enough to know that it's a decent place to start.]
1/2
no subject
no subject
1/2
(no subject)
(no subject)
1/1
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
2/2
(no subject)
(no subject)
(no subject)
1/2
2/2
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
1/3
2/3
(no subject)
(no subject)
1/-
2/-
3/3!
(no subject)
1/2
(no subject)
(no subject)